martes, 31 de marzo de 2015

Photos - Fotos: Ilse Bing - Part 1 - Bio Data (English y espanol) - Links


Ilse Bing works

 









Ilse Bing portrait

 Ilse Bing (23 March 1899 – 10 March 1998) was a German avant-garde and commercial photographer who produced pioneering monochrome images during the inter-war era.

Her move from Frankfurt to the burgeoning avant-garde and surrealist scene in Paris in 1930 marked the start of the most notable period of her career. She produced images in the fields of photojournalism, architectural photography, advertising and fashion, and her work was published in magazines such as Le Monde Illustre, Harper's Bazaar, and Vogue. Respected for her use of daring perspectives, unconventional cropping, use of natural light, and geometries, she also discovered a type of solarisation for negatives independently of a similar process developed by the artist Man Ray.

Her rapid success as a photographer and her position as the only professional in Paris to use an advanced Leica camera earned her the title "Queen of the Leica" from the critic and photographer Emmanuel Sougez.

In 1936, her work was included in the first modern photography exhibition held at the Louvre, and in 1937 she travelled to New York where her images were included in the landmark exhibition "Photography 1839–1937" at the Museum of Modern Art.

She remained in Paris for ten years, but in the shadow of World War II, she and her husband immigrated to New York City in 1941. There, she had to re-establish her reputation, and got steady work in portraiture. By 1947, Bing came to the realization that New York had revitalized her art. Her style was very different; the softness that characterized her work in the 1930s gave way to hard forms and clear lines, with a sense of harshness and isolation. This was indicative of how Bing’s life and worldview had been changed by her move to New York and the war-related events of the 1940s.

For a short time in the 1950s, Bing experimented with color, but soon gave up photography altogether. She felt the medium was no longer adequate for her, and seemed to have tired of it. In the last few decades of her life, she wrote poetry, made drawings and collages, and occasionally incorporated bits of photos. She was interested in combining mathematics, words, and images.


Public Collections

    Art Institute of Chicago
    Rijksmuseum Amsterdam[1]

Complete in:





 



 Ilse Bing - Dead End I, Queensborough Bridge 1936


Ilse Bing - Fokker plane

 
Ilse Bing - Gold lame shoes for Harpers bazaar 1935

 
Ilse Bing - Ile St. Louis, Paris, 1932

 
Ilse Bing - Moving railway 1929

 
 Ilse Bing - Self portrait


Ilse Bing (Fráncfort, 23 de marzo de 1899 - Nueva York, 10 de marzo de 1998) fue una fotógrafa alemana.2 Su familia era una exitosa y acomodada saga de comerciantes judíos, camino que seguía su padre.

Estudió Historia del Arte en la Universidad de Fráncfort, aunque había iniciado sus estudios universitarios en los campos de matemáticas y física. Como importante complemento a su formación, durante el curso 1923/-24 estudió en la Academia de Bellas Artes de Viena. Su aprendizaje de la fotografía lo realizó de modo autodidacta en 1925 con el fin de ilustrar su tesis sobre el arquitecto Friedrich Gilly, cuatro años después se compró una cámara Leica que empleó durante veinte años como su máquina principal.3

En 1930 se trasladó a París donde conoció a André Kertész, Emmanuel Sougez y Florence Henri y realizó reportajes para diversas revistas como Das Illustrierte Blatt, Ars et Métiers Graphiques, Photo-Graphie, Vu y Harper's Bazaar. Sougez le dio el nombre de "Reina de la Leica".4 Realizó su primera exposición en la galería Julien Levy de Nueva York en 1932 formando parte de una muestra de fotografía europea y en 1937 participó en la exposición organizada en el Museo de Arte Moderno de Nueva York por Beaumont Newhall con el título de Photography (1839-1937).

En 1937 se casó con el pianista Konrad Wolff con quien emigró en 1941 a Estados Unidos, ya que eran judíos y la Alemania Nazi dominaba Europa. Se establecieron en Nueva York. En 1946 Ilse adoptó la nacionalidad estadounidense. Aunque viajó en diversas ocasiones a París en los años cincuenta su actividad fotográfica perdió contenido experimental y se hizo más convencional. No obstante continúo realizando fotografías en blanco y negro hasta 1957 que comenzó a realizar fotografías en color que ella misma revelaba.5

En 1959 abandonó la fotografía para dedicarse a la poesía, la pintura y el collage. Su trabajo fue valorado de nuevo tras una exposición colectiva realizada en 1976 en el Museo de Arte Moderno de Nueva York y en Instituto de Arte de Chicago. Desde entonces su trabajo ha estado expuesto en museos de todo el mundo como en Nueva Orleans en 1985, en el Museo Carnavalet en 1987, en el Museo Folkwang en 1994, en el Museo Ludwig en 1996, en el Museo de Victoria y Alberto en 2004, en París en 2007 y en Barcelona en 2009.6

Complete en:
http://es.wikipedia.org/wiki/Ilse_Bing
 
Ilse Bing - Self-portrait 1945

 
Ilse Bing - Self-portrait, 1934. Museum no. E.3036-2004, © Victoria and Albert Museum, LondonEstate of Ilse Bing, courtesy Michael Mattis






Photos - Fotos: Ilse Bing - Part 1 - Bio Data (English y espanol) - Links







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