Posted by ricardo marcenaro | Posted in Music: Camille Saint-Saens - Piano Concerto No. 2 - Arthur Rubinstein - 2 Vids - Data | Posted on 20:34
Rubinstein - Saint-Saëns - Piano Concerto No.2 - Part 1 of 2 HD
The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Saëns, was composed in 1868 and is probably Saint-Saëns' most popular piano concerto. It was dedicated to Madame A. de Villers née de Haber. At the première, the composer was the soloist and Anton Rubinstein conducted the orchestra. Saint-Saëns wrote the concerto in three weeks, and had very little time to prepare for the première; consequently, the piece was not initially successful. The capricious changes in style provoked Zygmunt Stojowski to quip that it "begins with Bach and ends with Offenbach."
The piece follows the traditional form of three movements but allows for more freedom in tempo markings. Normally, the first movement is fast-paced, while the second is slower. However, the two are reversed in this piece. The concerto is scored for solo piano, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, crash cymbals and strings.
The movements in the concerto are:
The concerto begins with a piano solo playing a long improvisational introduction in the style of a Bach fantasia. After the orchestra enters, the restless and melancholy first theme is played, again by the piano solo. Saint-Saëns drew the theme from his student Gabriel Fauré's abandoned Tantum ergo motet. A brief second theme appears, followed by a middle section of increasing degrees of animato. The main theme is recapitulated fortissimo and the soloist is given a long ad libitum cadenza. The Bach-like opening motif returns in the coda.
The second movement is in E-flat major and, instead of being a typical adagio, resembles a scherzo. The mercurial piano part is marked leggieramente, and the two main themes are clever and light-hearted. The energetic, delicate personality of this particular movement is characteristic of Saint-Saëns' musical wit, most famously observable in Le Carnaval des Animaux.
The concerto concludes by returning to G minor. Like the preceding movement, it moves quickly; this time the form is an extremely fast, fiery tarantella in sonata form, featuring a strong triplet figure. At presto speed, the orchestra and soloist rush tumultuously along, gaining volume and momentum and finishing in a whirlwind of G minor arpeggios.
Rubinstein - Saint-Saëns - Piano Concerto No.2 - Part 2 of 2 HD
El concierto sigue la forma tradicional de tres movimientos, pero exhibe más libertad en la escogencia de los tempos. Normalmente, el primer movimiento suele ser rápido y el segundo lento, pero en este caso el orden se invierte.
La obra está orquestada para piano solo, 2 flautas, 2 oboes, 2 clarinetes, 2 fagotes, 2 trompas, 2 trompetas, tímpano, platillos y cuerdas. Sus movimientos son:
Music: Camille Saint-Saens - Piano Concerto No. 2 - Arthur Rubinstein - 2 Vids - Data
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